360° On-Site 4 Panel Painting Installation for the Tenderloin Neighborhood Development Center
1036 Mission St, San Francisco, CA, 2018
Painted Supergraphics for and with Barbara Stauffacher Solomon
Sea Ranch, CA, 2018
Land(e)Scapes, Painted for Barbara Stauffacher Solomon
Berkeley Art Museum Pacific Film Archives, Berkeley, CA, 2018

(Courtesy UC Berkeley Art Museum and Pacific Film Archive.)

Exterior Onsite 3 Story Mural Project, on Brannan Street between 3rd and 4th Street
Ian Ross Gallery, San Francisco, CA, 2015

The white line of the parking lot, becomes the white of the painting, and reaches the sky.

Interior Onsite Lobby Entrance and Show
Ian Ross Gallery, San Francisco, CA, 2015

Brannan Street’s white line and reflectors runs across the lobby floor, up the wall, and into an inverted landscape of white ovals.

Blade Runner Hair Salon Remodel
Build Out
Haight and Shrader, San Francisco, CA, 1999

Hundreds of plexiglass and mirror discs, suspended on aircraft cables, backlit with a psychedelic colored projector. A painting built to inhabit.

Rock Scissors Paper
Canessa Gallery, San Francisco, CA, 1999-2000
A New World Trade Center: Design Proposals
Max Protech Gallery, New York, NY, 2001


Origins of the 9/11 Drawings:


At Ground Zero after 9/11 I aided Suree Towfighnia in filming “Caution: 2001”. They called it a “crime scene” and barred all media. I had my sketchbook. I began to draw. The humble act of drawings they allowed. Guards sharped my pencil, gave me throat lozenges, and passed over the barricade an army issue sweatshirt at nightfall. Suree filmed me drawing. People came crying asking me to send them copies of the drawings. I had a pocket full of addresses; pre-Internet, pre-cell phones, I sent Xerox’s to strangers.